The palette
Two masses, and they have to answer each other: the water, which takes nearly half the sheet, and the green of the second peninsula, which is the subject. Take both frank and clearly distinct, or the wooded point melts into the inlet and the whole nesting figure disappears. The built centre, conversely, gains from staying very pale: it is by its emptiness of colour that it stands against the green block beside it. One nuance to watch in the north, where the woods on the far shore are holed with white: too pale a green will make patches there, too dense a green will make gaps.