The palette
A pale island on water that surrounds it and enters it: this is the simplest contrast in the whole series, and it deserves to be taken seriously rather than complicated. A deep water ink and a very pale land give the cleanest shape, and here the shape is the entire subject. One precaution, and it is a real one: the thread of villages along the inner edge is very fine, so keep a frank street ink, or the island becomes an empty silhouette and you lose the only trace of habitation on the sheet.